Fingerprint scans replace clocks at work

NEW YORK — It's happening at Dunkin' Donuts, at Hilton hotels, even at Marine Corps bases: Employees are starting and ending their days by pressing a hand or finger to a scanner that logs the precise time of their arrival and departure, and the information is automatically reflected in payroll records.

Manufacturers say these biometric devices improve efficiency and streamline payroll operations. Employers big and small buy them with the dual goals of keeping workers honest and automating outdated record-keeping systems that rely on paper time sheets.

The new systems have raised complaints, however, from some workers who see the efforts to track their movements as excessive or creepy.

"They don't even have to hire someone to harass you anymore. The machine can do it for them," said Ed Ott, executive director of the New York City Central Labor Council of the AFL-CIO. "The palm print thing really grabs people as a step too far."

The International Biometric Group, a consulting firm, estimated that $635 million worth of these high-tech devices were sold last year, and projects that the industry will be worth more than $1 billion by 2011.

Ingersoll Rand Security Technologies, a leading manufacturer of hand scanners based in Campbell, Calif., said it has sold at least 150,000 of the devices to Dunkin' Donuts and McDonald's franchises, Hilton hotels and to Marine Corps bases, who use them to track civilian hours.

Protests over using palm scanners to log employee time have been especially loud in New York City, where officials are spending $410 million to install an automated attendance tracking system that may eventually be used by 160,000 city workers.

Scores of civil servants who are members of Local 375 of the Civil Service Technical Guild rallied Tuesday against a plan to add the city medical examiner's office to the list of 17 city agencies which already have the scanners in place.

The scanners have rankled draftsmen, planners and architects in the city's Parks Department, which began using them last year.

"Psychologically, I think it has had a huge impact on the work force here because it is demeaning and because it's a system based on mistrust," said Ricardo Hinkle, a landscape architect who designs city parks.

He called the timekeeping system a bureaucratic intrusion on professionals who never used to think twice about putting in extra time on a project they cared about, and could rely on human managers to exercise a little flexibility on matters regarding work hours.

"The creative process isn't one that punches in and punches out," he said.

A spokesman for Mayor Michael Bloomberg, Matthew Kelly, said the system isn't meant to be intrusive and has clear benefits over old-style punch clocks or paper time sheets.

The city expects to save $60 million per year by modernizing a complicated record keeping system that now requires one full-time timekeeper for every 100 to 250 employees. The new system, dubbed CityTime, would free up thousands of city employees to do less paper-pushing.

Another benefit of the system is curtailing fraud. Several times each year, New York City's Department of Investigation charges city employees with taking unauthorized time off and falsifying timecards to make it looked as though they worked.

Other cities have embraced similar technology.

Cities as big as Chicago and as small as Tahlequah, Okla., have turned to fingerprint-driven ID systems to record employee work hours in recent few years. And the systems have been introduced into plenty of other workplaces without much grumbling by employees, especially those already used to punching a clock.

But the New York workers aren't the first to fight it. The American Federation of State, County and Municipal Employees complained vigorously two years ago after the city of Pittsburgh proposed installing fingerprint readers.

"We had a lot of questions, a lot of concerns, and so far they haven't put it in," said AFCME Council 84 Director Richard Caponi.

Jon Mooney, Ingersoll Rand's general manger of biometrics, said the privacy concerns are unfounded. The hand scanners don't keep large databases of people's fingerprints — only a record of their hand shape, he said.

Still, union officials in New York said they are concerned that the machines could eventually be used not just to crack down on employees skipping work, but to nitpick honest workers or invade their privacy.

"The bottom line is that these palm scanners are designed to exercise more control over the workforce," said Claude Fort, president of Local 375. "They aren't there for security purposes. It has nothing to do with productivity. ... It is about control, and that is what

Young Chimp Beats College Students

Here's the type of study that makes me go - hmmm. Or is it, Uga, Uga.

By MALCOLM RITTER AP/Science writer
Think you're smarter than a fifth-grader? How about a 5-year-old chimp? Japanese researchers pitted young chimps against human adults in tests of short-term memory, and overall, the chimps won. :MORE::

Learning Template

Nieman Reports (Harvard)
Bob Giles offers a good template for learning:

“‘Five Minds for the Future'...new ways of learning that will prepare students to think globally and function in a world dominated by information, science and technology, and the conflicts among cultures.

Gardner’s five minds would master one or more disciplines, would posses capabilities to synthesize information, would be creative, would be respectful and would work in an ethical manner.”

Man in India Marries Dog

A man in southern India married a female dog in a traditional Hindu ceremony as an attempt to atone for stoning two other dogs to death _ an act he believes cursed him _ a newspaper reported Tuesday.

Related Man-Beast Marriages...

(not actual dog)

Wikipedia folks say that Human-animal marriage, i.e., marriage between humans and non-human animals, is not recognized by any modern country, but historically, people have married animals as part of religious traditions or to bring good luck, often involving elaborate ceremonies. Such marriages as are allowed by tradition, or within a culture, are often symbolic or ritual, rather than the more usual recognition of a relationship

Learn Japanese

the web offers a marketplace for learning new language

Silence of Cellphones, Illegally

As cellphone use has skyrocketed, making it hard to avoid hearing half a conversation in many public places, a small but growing band of rebels is turning to a blunt countermeasure: the cellphone jammer, a gadget that renders nearby mobile devices impotent.::MORE::

Soulja Boys and Girls

74-year-old does 3,010 push-ups in one day

The AJC found this super determined grandfather of four. I think four is the number of push-ups I can do right now...

Don Magee, 74, recently broke his own personal record by performing 3,010 push-ups in one day.::MORE::

Istanbul's Bath Houses

Lonely Planet has saved me plenty of times when I've been in a strange land.

Want to steam away the travel grime - but confused by the rituals? Here's a simple guide to keeping your cool. ::MORE::

How to Save Gasolina

With Gas Prices reaching a $100 bucks and soon surpassing it, it's not too late to save at the pump. Here is a list I got from ABC.
Choose the right octane. For most cars, the recommended gas is regular octane. Using a higher octane gas than the manufacturer recommends offers no benefit, and it costs you at the pump. Unless your engine is knocking, buying higher octane gas is a waste of money.

Stay away from gas-savings gadgets. Be skeptical about any gadget promising to improve your mileage. The Environmental Protection Agency has tested more than 100 such devices -- including "mixture enhancers" and fuel line magnets -- and found that very few provided any benefits. Those that did work provided only a slight improvement. Some can even damage your engine.

Stay within the speed limit. Gas mileage decreases rapidly at speeds above 60 miles per hour.

Avoid unnecessary idling. It wastes fuel, costs you money and pollutes the air. Turn off the engine if you anticipate a wait.

Stop and start gently. You can improve in-town gas mileage by up to 5 percent by driving gently.

Use overdrive and cruise control. They improve fuel economy when you're driving on the highway.

Inflate your tires. Keeping your tires properly inflated and aligned can increase gas mileage up to 3 percent.

Keep your engine tuned. Tuning your engine can increase gas mileage by an average of 4 percent.

Change your oil. Clean oil reduces wear caused by friction between moving parts and removes harmful substances from the engine. Motor oil that says "Energy Conserving" on the performance symbol of the American Petroleum Institute contains friction-reducing additives that can improve fuel economy.

Replace air filters regularly. Replacing clogged filters can increase gas mileage up to 10 percent.

Lose the junk in your trunk. An extra 100 pounds in the trunk can reduce fuel economy by up to 2 percent. Removing nonessential stuff can save you at the pump.

Combine errands. Several short trips taken from a cold start can use twice as much fuel as one trip covering the same distance when the engine is warm.

Consider carpooling. Many cities make it even easier by matching up commuters.

Bus it, bike it or hoof it. Why not leave your car at home and consider public transportation, a bike ride or a stroll across town?

Handwriting Helps You Learn

For most people, the written thank-you is your best bet for an expression of warm, heartfelt thanks. The last thing you want is for someone to be disappointed when her hand-knit scarf is acknowledged with a loud, animated e-card." So says the Emily Post Institute, founded in 1946 and still an authority on principles of politeness in today's digital age. ::MORE::

Citizen Legal Protection Project Opens

Citizen Media Law Project and the interface of their Legal Threats Database, was launched to the public. (go here for the news release) The database, funded by Knight Foundation, catalogs lawsuits, cease-and-desist letters, and other legal challenges faced by those engaging in online speech.

A Tranny's Remorse

New Times
By Ashley Harrell

Michael Berke looks the biker-dude part. He's a solid six feet in tattoos, Harley jeans, a black cut-off T-shirt, a narrow ginger beard, the beginnings of a Fu Manchu, and a freckled, clean-shaven head.

On a recent Tuesday, he climbs a wooden ladder in a suburban Delray Beach garage and enters the attic. Ninety percent of what's up here belonged to Michelle, he says. "She had so many purses and things," Berke says, unsealing a blue plastic bin. He lifts out a knee-high black XOXO boot and studies it. "These were Michelle's favorite pair of shoes. What's neat about them is that you can see the skin through the laces."

It has been two years since those D-size breasts, beautiful legs, fire-red hair, and killer smile belonged to him. Literally. Yep, Berke used to be a woman who used to be a man. He's an m-t-f-t-m. An ex-tranny. The taker of a surgical U-turn. Add up all of Berke's surgeries, including breast implants, a brow lift, a nose job, cheek implants, and more, and the cost equals about $80,000. "She bankrupted me," Berke says.

The truth is, not every tranny lives in gender bliss ever after. Sometimes surgery doesn't fulfill expectations. :: READ MORE::

Just the weird: The Entrepreneurial Spirit!

Reuters
A Japanese clothing manufacturer, Kochou-fuku, announced in August a line of air-conditioned shirts, with two tiny battery-operated fans inside to evaporate perspiration (for the equivalent of about $95). (One drawback: The shirt billows out, suggesting that the wearer is overweight.)

Among the recent recipients of Marin County (Calif.) Green Business certificates of environmental awareness was Pleasures of the Heart, a sex-toy and lingerie store that sells, among other items, rechargeable vibrators and erotic undergarments made of organic bamboo fabric. [Marin Independent Journal, 8-15-07] ::READ MORE::

13 writing tips from the genius behind Fight Club

by Chuck Palahniuk

Twenty years ago, a friend and I walked around downtown Portland at Christmas. The big department stores: Meier and Frank… Fredrick and Nelson… Nordstroms… their big display windows each held a simple, pretty scene: a mannequin wearing clothes or a perfume bottle sitting in fake snow. But the windows at the J.J. Newberry's store, damn, they were crammed with dolls and tinsel and spatulas and screwdriver sets and pillows, vacuum cleaners, plastic hangers, gerbils, silk flowers, candy - you get the point. Each of the hundreds of different objects was priced with a faded circle of red cardboard. And walking past, my friend, Laurie, took a long look and said, "Their window-dressing philosophy must be: 'If the window doesn't look quite right - put more in'."

She said the perfect comment at the perfect moment, and I remember it two decades later because it made me laugh. Those other, pretty display windows… I'm sure they were stylist and tasteful, but I have no real memory of how they looked.

For this essay, my goal is to put more in. To put together a kind-of Christmas stocking of ideas, with the hope that something will be useful. Or like packing the gift boxes for readers, putting in candy and a squirrel and a book and some toys and a necklace, I'm hoping that enough variety will guarantee that something here will occur as completely asinine, but something else might be perfect.

Number One: Two years ago, when I wrote the first of these essays it was about my "egg timer method" of writing. You never saw that essay, but here's the method: When you don't want to write, set an egg timer for one hour (or half hour) and sit down to write until the timer rings. If you still hate writing, you're free in an hour. But usually, by the time that alarm rings, you'll be so involved in your work, enjoying it so much, you'll keep going. Instead of an egg timer, you can put a load of clothes in the washer or dryer and use them to time your work. Alternating the thoughtful task of writing with the mindless work of laundry or dish washing will give you the breaks you need for new ideas and insights to occur. If you don't know what comes next in the story… clean your toilet. Change the bed sheets. For Christ sakes, dust the computer. A better idea will come.

Number Two: Your audience is smarter than you imagine. Don't be afraid to experiment with story forms and time shifts. My personal theory is that younger readers distain most books - not because those readers are dumber than past readers, but because today's reader is smarter. Movies have made us very sophisticated about storytelling. And your audience is much harder to shock than you can ever imagine.

Number Three: Before you sit down to write a scene, mull it over in your mind and know the purpose of that scene. What earlier set-ups will this scene pay off? What will it set up for later scenes? How will this scene further your plot? As you work, drive, exercise, hold only this question in your mind. Take a few notes as you have ideas. And only when you've decided on the bones of the scene - then, sit and write it. Don't go to that boring, dusty computer without something in mind. And don't make your reader slog through a scene in which little or nothing happens.

Number Four: Surprise yourself. If you can bring the story - or let it bring you - to a place that amazes you, then you can surprise your reader. The moment you can see any well-planned surprise, chances are, so will your sophisticated reader.

Number Five: When you get stuck, go back and read your earlier scenes, looking for dropped characters or details that you can resurrect as "buried guns." At the end of writing Fight Club, I had no idea what to do with the office building. But re-reading the first scene, I found the throw-away comment about mixing nitro with paraffin and how it was an iffy method for making plastic explosives. That silly aside (… paraffin has never worked for me…) made the perfect "buried gun" to resurrect at the end and save my storytelling ass.

Number Six: Use writing as your excuse to throw a party each week - even if you call that party a "workshop." Any time you can spend time among other people who value and support writing, that will balance those hours you spend alone, writing. Even if someday you sell your work, no amount of money will compensate you for your time spent alone. So, take your "paycheck" up front, make writing an excuse to be around people. When you reach the end of your life - trust me, you won't look back and savor the moments you spent alone.

Number Seven: Let yourself be with Not Knowing. This bit of advice comes through a hundred famous people, through Tom Spanbauer to me and now, you. The longer you can allow a story to take shape, the better that final shape will be. Don't rush or force the ending of a story or book. All you have to know is the next scene, or the next few scenes. You don't have to know every moment up to the end, in fact, if you do it'll be boring as hell to execute.

Number Eight: If you need more freedom around the story, draft to draft, change the character names. Characters aren't real, and they aren't you. By arbitrarily changing their names, you get the distance you need to really torture a character. Or worse, delete a character, if that's what the story really needs.

Number Nine: There are three types of speech - I don't know if this is TRUE, but I heard it in a seminar and it made sense. The three types are: Descriptive, Instructive, and Expressive. Descriptive: "The sun rose high…" Instructive: "Walk, don't run…" Expressive: "Ouch!" Most fiction writers will only use one - at most, two - of these forms. So use all three. Mix them up. It's how people talk.

Number Ten: Write the book you want to read.

Number Eleven: Get author book jacket photos taken now, while you're young. And get the negatives and copyright on those photos.

Number Twelve: Write about the issues that really upset you. Those are the only things worth writing about. In his course, called "Dangerous Writing," Tom Spanbauer stresses that life is too precious to spend it writing tame, conventional stories to which you have no personal attachment. There are so many things that Tom talked about but that I only half remember: the art of "manumission," which I can't spell, but I understood to mean the care you use in moving a reader through the moments of a story. And "sous conversation," which I took to mean the hidden, buried message within the obvious story. Because I'm not comfortable describing topics I only half-understand, Tom's agreed to write a book about his workshop and the ideas he teaches. The working title is "A Hole In The Heart," and he plans to have a draft ready by June 2006, with a publishing date set in early 2007.

Number Thirteen: Another Christmas window story. Almost every morning, I eat breakfast in the same diner, and this morning a man was painting the windows with Christmas designs. Snowmen. Snowflakes. Bells. Santa Claus. He stood outside on the sidewalk, painting in the freezing cold, his breath steaming, alternating brushes and rollers with different colors of paint. Inside the diner, the customers and servers watched as he layered red and white and blue paint on the outside of the big windows. Behind him the rain changed to snow, falling sideways in the wind.

The painter's hair was all different colors of gray, and his face was slack and wrinkled as the empty ass of his jeans. Between colors, he'd stop to drink something out of a paper cup.

Watching him from inside, eating eggs and toast, somebody said it was sad. This customer said the man was probably a failed artist. It was probably whiskey in the cup. He probably had a studio full of failed paintings and now made his living decorating cheesy restaurant and grocery store windows. Just sad, sad, sad.

This painter guy kept putting up the colors. All the white "snow," first. Then some fields of red and green. Then some black outlines that made the color shapes into Xmas stockings and trees.

A server walked around, pouring coffee for people, and said, "That's so neat. I wish I could do that…"

And whether we envied or pitied this guy in the cold, he kept painting. Adding details and layers of color. And I'm not sure when it happened, but at some moment he wasn't there. The pictures themselves were so rich, they filled the windows so well, the colors so bright, that the painter had left. Whether he was a failure or a hero. He'd disappeared, gone off to wherever, and all we were seeing was his work.